Most of my career has been spent taking ambitious ideas and figuring out how to make them real. I've shipped products for Pokémon, Disney, Marvel, and PBS Kids — usually as the engineer closest to the creative vision, responsible for making something feel as considered as it looks. That often means writing custom animation systems, building physics simulations, or spending time in PixiJS and WebGL long after a simpler solution stopped being viable.

I work best when the problem is genuinely hard and the details matter. I collaborate closely with designers and creative directors, and I've always been more interested in shipping something that holds up than in moving fast and shipping something rough.